A news package that arrives late is of little use, and one that arrives wrong can do real harm. We work on the basis that both matter, which is why our crews shoot with the edit already in mind and our editors check facts, names and captions against your notes before anything leaves the building.
Based in Chichester, we travel to stories across the south of England and, by arrangement, further afield. Because the team is small, the person you speak to when you book is usually the person who works on your job, so there is no relay of messages between departments.
Our founder-led production group has been working in television news production for over a decade, and the company itself began in 2014. That history shows in small habits: labelling rushes clearly, keeping clean audio as a separate track, and always shooting cutaways that an editor will thank us for later.
We also spend time inside newsrooms. Reviewing how a story moves from pitch to transmission often reveals simple delays, such as unclear sign-off or files stored in three places, that cost more minutes than any edit. Fixing those is quieter work, but it is often where the biggest savings are found.
Training completes the picture. When reporters and crews understand how to frame, hold and record a fast-moving scene, the material reaching the edit suite is stronger and the whole bulletin benefits from it.
- Plain communication about what is possible before a deadline
- Footage and edits checked for accuracy before delivery
- Files supplied in the format your gallery asks for
- A named contact for the length of the job
- Written scope and quotation before work starts
- Practical advice rather than long reports